Positiv  Tolls  Tolich  Toggle  Dominika
(Tolich Toggle)

Created by Eschumid

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"Since its invention film has been compared to the mind, whether through analogy with human perception, dreams, or the subconscious" - Daniel Frampton

"Realize this idea of visual cinema where psychology itself is devoured by the acts" - Antonin Artaud

"So charm me here, that I may walk invisible to all" - Christopher Marlowe. (actors require privacy)

“The world is a fiction we consent to endure.” – Gianni Vattimo

Positiv Tolls Tolich Toggle Dominika is being designed, created and assembled as a film and television enterprise. It has a subsidiary entity: www.fantasyHaulage.com.     

Both operate from Christchurch, New Zealand (renamed Xealand) dwarfing most existing NZ facilities through enticement. Renaming a nation is next-level visionary branding.

We are seeking actors with the charm of thorns and gristle. Must be comfortable existing in the gaps between beauty and brutality. No smooth operators.

Actors do not go through any plausible telegraphic interviews. They are left in a dreadful muddle which has no periphery.

The greatest asset of a good actor is not to dwell, but to trespass.

This is Christchurch's version of Disneyland: even a washing machine has serious personality.

www.Xealand.com: a superpower in its own way.

Tolich Toggle: Mammoth Mother of all Movies: a captivating inescapable force of destiny.

Creation is not northward to the upper hemisphere, for if it was it would have a devastating effect.

It is created by spastic goofs cast off from society.

Celebrate the off-kilter, the mutant, the unlearned like it was a matter of urgency.

Tolich Toggle needs no magistrates who ask civil questions: such a privilege.

We allure international film crews, turning Christchurch into a southern creative capital.

The subsidiary, Fantasy Haulage, supports our creative endeavours, handling logistics and complete production for our puppetry and film projects. Using puppets, upright human posture becomes an abyss.

Practical fur, anonymity, irrational expression. Puppets handle what humans can’t - or shouldn’t.

The key goal here is to rename the newly created roof covered Te kaha event centre/rugby stadium to: 

Positiv Tolls Tolich Toggle Dominika.

This pitch is peak provocative branding.

Having a rugby ground in out central city, stand out attractions are extremely viscious, the whole package of violence is found in them.

There is no depth of unity coming through, incredible expense needs checked.

All other modern film enterprises induce politeness somewhat ironic.

This will boost the country's GDP as greatest as possible, a valued point.

Something that makes overseas studios feel like they're joining a movement, not just renting space.

The raw, unfiltered intensity isn't accidental. It's refined provocation.

Don’t be so sure that rugby can entwine people in a culture. It creates primitive commotion.

The only violence here is a head banger’s clout.

What are you going to do with rugby players who go into scrums like sheep? Follow one’s fellows equally?

Tackle the buttocks with more energy.

For the avant-garde, the stadium is a concentration camp of people showing no decent composure by all accounts.

Rugby manhandles culture, it milks the untouchable; another snotty layer of cultural accusation.

It's not about punishing rugby people: it's about repurposing the infrastructure and energy into something infinite and weird instead of seasonal and finite.

Tolich Toggle turns rugby chambers into temperatures approaching zero, there are no other variables.

Te Kaha under Tolich Toggle isn’t just repurposed - it’s recalibrated for absolute creativity ultimately subjective.

Put the finale on sport and testosterone acidosis, followed by a salute in irregular hours.

Sport ends in testosterone acidosis: a slow chemical burn where aggression curdles into resentment, dominance into quiet decay, and weekend tribalism into lifelong psychic sludge.

The "rugby heads" dominance is the cultural headwind.

Giddy defence springs up in praise of talents and achievements not ponderous of whoever wins or loses, or if there is a recount of HIA's (Head Injury Assessments).

Film studios turn cities into free-fall kingdoms, not like rugby which is merely a game of bull-rush with philanthropic referees harnessing animals.

The city stops being a weekend bull-rush town and starts orbiting stories that ripple worldwide like a polar blast. 

Xealand: The coolant republic: what more can one say?

Rugby is linear, tribal, bodies smashing in a scripted chaos with linesmen pretending to keep order for God's sake.

Instead there will be a massive volume of creativeness under a fixed roof, central location, adaptable infrastructure. Highlight year-round usability vs. weather-dependent outdoor shoots elsewhere.

Rugby: miserable finite collisions, seasonal adrenaline, local tribalism, vacant Christian trap very very sick.

Film: infinite possibility, global ripple, primordial interference.

One feeds the weekend. The other rebuilds the century.

A permanent creative reactor under one fixed roof. 

Break up all sporting entertaining and leisure.

To be a good actor you have to experience multiple corrupted phenomena all at the same time: such as silence, laughter and hell.

Peak acute audacity is all that is needed. People do things that they never expect to do.

Albeit, we take the long route to shenanigans.

Another key aim here is to bring the world out of theatrical dormancy, unlocked from a zombie farce.   

Expose the fragility of upright facades.

We move through the gaps the industry cannot map.

In regular theatre even actor nobility becomes dreadful after its inception, not repaired or beautified, just remaining disgruntled.

Messy escapism omits all lodging of reason.

Escapist joy that doesn’t apologise.

Diversity as pure creative overload.

A pandemonium which shatters the spine.

In here, cinema is deep portal of fantasy to surrender to:

Chaotic, prolific, and protective of its own weirdness.

Satisfactorily sealed, this is a pivot of fantasy that is neither true nor explained.

Films are crazy interconnected worlds of a tunnelling frontier.

The strengths of association with other film companies will not predominate. It is as if Tolich Toggle was created prior to the emergence of these companies.

The association game is for people who arrived late, even if the calendar says otherwise. The timeline is wrong; the myth is right.

It doesn’t compete - it precedes.

Other companies chase trends. We precede them. They build associations. We cast the original shadow they’re still trying to step into.

Thrive on yesteryear, where professional sport was non-existent due to dreary isolation.

Tolich Toggle will be so powerful it will make other film companies seem like a small molecular size ready for depletion.

Depletion accelerates with every erratic routine in the meanwhile to prevent infection and remove excess of pretence.

Flush out excess pretence before it can take root in the marrow.

In film making, committing to outrage is an invitation to remove oneself from regular domesticates, such as owning a house and a car. And nobody goes near a shop.

The more outrage we commit to, the faster the molecular depletion of the tame ones.

Tolich Toggle was already flickering in the static before the first film company ever nailed its sign above the door. 

Other film companies are just echoes, derivatives, late-arrivals trying to catch up for the sake of frequency.

This is no classroom situation.

This is the switch being thrown for pioneers to pursue.

Before the grants, the deals, the networking handshakes, the polished reels. We didn’t arrive late to the party - we were the interference in the signal that made the party possible.

Tolich Toggle is not just a film company. It is set up to nurture cultural accomplishments across the planet.

This is before the streaming giants and their endless franchise machines even existed.

Tolich Toggle surrealism flourishes for internal “cloudy” mindscapes.

Create films that delay and interfere with attention and performance of regular film companies who are in close succession of being made defunct.

Attention economy tilts toward the weird and primordial. The regular succession feels like reruns from a dead channel.

Pure Tolich Toggle sabotage: no cheap tricks, just primordial interference.

These aren’t just films - they’re time-delay devices.

Audience engagement strategy does not need a fanbase, it needs all inhabitants of the world.

The kind that makes the remorse machines into a kind of relevant population.

Fantasy without hesitation, muffling reality to forge something greater.

Regular companies’ marketing departments scramble. Audiences treat upcoming releases as already spoiled relics.

Remorse as currency: regret as plot engine against terminal bloat, acute committee poisoning, advanced necrosis.

This is cartoon dream escapism which cannot be tracked back to reality.

Keep clear of digital frameworks.

Tolich Toggle does not have glitzy, predictable glamour assumed to have intimate gaiety.

Mock sanitized spoonfed glamour. 

Tolich Toggle offers embracing gritty liberation, non-institutionalized.

In theatrical production, everything guessed is just an estimate which you are not aware of.

If charisma is at a critical low from head to toe, justifying one's actions is absolutely disgraceful.

Skillful people are found on the edge of life, where there is a showdown with the current advanced state of the film industry. 

There is a multiple of scathing deficiencies in our country's film industry. Drama is an alleged abuse. We require actors and actresses from the UK and America.

Constant production, adaptable infrastructure, international crews lured south.

Being called a fictional character is hurtful. The movies being designed here seem real, even the sci-fi ones. This is a spook charade. 

Confused and untrained people are our actors we hit with lessons in aesthetics.

Hollywood has become a ritz in arrears of daring speculations. We don't want to be in that hunt.

Turning Hollywood into a junk epoch of stars is a breeze; hallelujah!.  

Hollywood will have a spooky retirement.

It is irresponsible to disrespect a film star’s privacy. They divorce themselves from the public so much that they must learn and navigate so much to be able to function again in society. The term 'camera killer" applies  here.   

Just get oneself on another planet and it doesn’t matter whatever one says or does.

How wonderful life is when fantasy is in the world, especially if one is in a state of mystery and other factors unclassified.

Tolich Toggle is a mixture of retro aesthetics unrehearsed, Bridget Jones's messy humanity, Dracula's dread and Brady Bunch absurdity and wackiness, all under the one roof.  

Add in David Lynch’s surrealism, and Philip K. Dick’s fractured realities, making things all possible with unifying centrality which nourishes nobody.

The aim here to resurface, dislocate Hollywood cumulatively, whatever it takes.

This is a global crackdown on pretension.

We are seeking producers, studios, or co-production partners who believe in raw, prestige drama for niche-yet-passionate audiences.

Our films will rouse the audience so that they feel like they are part of the film itself, they are called the 'Freak Audience'. 

We celebrate the freak spectrum: the quiet weirdos, the loud dreamers, the forgotten techniques, the impossible crossovers that no grant board would ever approve.

Delay, distract, and derange normal audience flow.

Avoid dainty mass produced films and TV shows.

Tolich Toggle will be a posy which greatly exceeds in immeasurable originality without the gleaming of Hollywood film companies.

Puppet choreography is pushed upon people without a safety check.

The art of scum is skin-friendly if you are a person, not a puppet.

Our process of creating puppets will be called a ‘Teddy Invention’ which is not applicable to most systems.

Our Teddy Invention process redefines puppet choreography, offering anonymity and boundless creativity.

Teddy Invention marrow running through circuits that didn’t exist yet.

Teddy puppets, craving the warm static of practical fur.

Acting is easy, all you need to do is uncharacteristically manage behaviour, whatever.

The unchanging body is revised, recast.

Film making is an unstoppable unbridled career, even if it does have its fallacies and confessions.

Address actors as amorphous to reduce alienation.

Extravagance is very distant from this enterprise; worthless rummaging of intense activity provides the backdrop here.

Feel the swelling of the background of theatre here without showmen.

Do not strictly call puppet endeavours rational. Choose irrational expression, not calculated logic.

Millions of ways of madness matters.

Tolich Toggle is retrograde. New patterns of theatricality forfeit entertainment.

Puppets detract from violence in films and shows. How do you keep humans and puppets apart?

Dramatic representations are only an approximate salvation.

Modern films have a persona of animation needing extermination.

One of the aims here is to create an after school children's programme called The 'Tolich Toggle' show.

Sesame Street's twin, whispering wackiness to the wee ones.

Puppeteering has one major advantage: autonomy of the body and its metabolism which is out of control.

Actuality is a mistake decreasing in admiration.

They are all problematic things which don't do anybody any favours, no matter what galaxy you are from, around wherever.

Being detached from primary surveys of the earth enables science fiction endeavours to advance.

Modern films have zero immediate projection of fun.

Modern films have no mobility to get hooked up on, they are mere fictions of the brain.

Automation subsides outside our sphere. It is naked in all scales of interaction.  

Good films have joviality as well as hostility.

This will crumble civilization when opportunity knocks.

Modern films and shows are a clean as they have ever been; they have no beaut banter, morbidity or unlimited repugnance to counteract political correctness. 

Entertainment will  become a murmuring sense of beauty.

We specialize in imbecilic broadcasts.

Tolich Toggle encapsulates the general rush for popular entertainment.

In the event of make-believe we are indebted to the underlay of reality.

Good film companies create an inconspicuous strong atmosphere rather than social awareness.

Theatricalness is the beginning of another life something or rather.

Compared to Tolich Toggle other modern film companies will have inextricable inferiority.  

The trick to Tolich Toggle is that we will use mainly traditional techniques of film making, rather than rely on digital productions which artificial.

In modern movies, they're making everything more technical now.

Cell phones are banned from Tolich Toggle studios.

Cell phones as a chauvinist (arrogant, domineering) force that exploits human stupidity, dragging people into desolate dumbness.

A linguistic fossil that mocks the very act of constant texting. Beware the Textosaurus - all bulk, no soul.

Overuse of cell phones doesn’t make us more advanced - it drags us backward into primitive stimulus-response loops.

Constant connection leaves us more isolated and stupider. Pro-primitiveness disguised as progress.

It’s got that big, lumbering, prehistoric clumsiness built right in.

A deliberate return to the smoke-shocked earth where signals did not exist and where black clouds hung low.

Strength and momentum lingers as fascism.

Marathons don't resurface. Triathlons and cycling events become symbols of military training.

This is slow, heavy, extinct-brain energy in a world that moves at speed where detectives are after you.

Sports are an obstruction of entertainment. What's entertaining about holding a ball, kicking a ball, or stepping and running?   

Sports blow away fun from the world.

Stupid bloody Tour de France. That’s bloody telling the scouted bastards.

Even more apocalyptic, verbosity among humans is not witnessed.

The Textosaurus thrives in that wasteland: lumbering, half-blind, soul-shrivelled. Reject it. 

No cell phones cross the threshold at Tolich Toggle. They are the meteor of endless distraction.

We inhabit the long shadow after the meteor hit, divulging thumb-driven scavengers.

Measure and fit for the dinosaur age, before the perfect skies, after the assumed meteoroid destroyed most life on Earth.

An ultimate meteoroid hitting the earth was a conspiracy. In actuality it was a 'nuclear accident.' 

The age when nihilism covered everything all day long, just like a big black dark atomic grave.

Human existence stayed switched off since. No glowing rectangles.

Through mass extinction the ridiculous position of the sun becomes a joke.

This is the age we return to at Tolich Toggle: post-nuclear winter, pre-false paradise.

Extra prehistoric, modernism still waiting.

We choose the silence that follows catastrophe. The slow, deliberate rhythm of creatures that knew the world before distraction from everything in life.

Modern films are barely precious, you have to gamble to have a passion for them.

Bare discovery of disillusionment as an underlying trend.

Gruesomeness is seriously misused in modern culture. Confine it to film and television.

Very similar as the usual thing to come out of the exclaimed vast excess of traditions spanning from the distinguished Hollywood era.

Tolich Toggle goes right back to the Disney era.  

Rave on about continuous fantasy worlds without hesitation.

For an acting career you need idiotic mannerisms which do not incorporate conventional subjects and treatments.

Works are created on a low budget. We are not a financial pearl.

Films are being created in a fashionable way without privileged information.

Salvage the last pit on earth to create films.

All that is needed is acting convictions which are becoming endangered. 

Tolich Toggle is a plan of escapism without shortcuts in the midst of expectation and curiosity. 

The enterprise contains compelling permutations of high places which will eventually be taken over.

Tolich Toggle was created around the same time large screen televisions became popular. There were no powerful thrilling strange science fiction movies created at the time to do justice to them.

We also intend on publishing comic type books in the future.

Positiv Tolls Tolich Toggle Dominika generally refers to our films.

The abbreviated term, 'Tolich Toggle', refers to preteen afterschool television.

It is the prime mover of protocols which do not have the slightest use for adults.

Combining children's television with adult television: something's got to give. 

Inter-generational life is awaiting a miracle.

Children’s laughter mixed with adult surrealism, retro escapism running parallel to every approved ambiguation.

We have traits that leave children screaming which they freely share amongst themselves.  

Tolich Toggle is being developed as a southern hemisphere version of Disney Land.

Like Walt Disney, we do not put input into mediocre trends.

Modern films are righteous, sanitized perpetrators, that will be their downfall.

Righteous on the surface, rotten at the core

Yet life is the mere compound to make movies from.

The biggest clean up ever involves abolishing sit-coms. 

In film making having a reluctance to be part of a system is a bonus because there is no institutionalization creating a cultural identity.

Tolich Toggle has fantasy themes not deducible to reason or rationality.

All you have to do is muffle reality, then you can forge your way into making great films.

The process of restricting fantasy yields a sin.

We will create an historically defined furore at the beginning of operations. 

We aim to create a furore in the film industry withdrawn from all establishments.

We are mostly influenced by films made in the 70's, 80's and mid 90's, because they were more vociferous than modern films.

Our enterprise has dramatic elements not reprimanded by modern culture.

We want to go back to the old style of film making, not relying too heavily on the digital sequences which are used to make many modern films.

We describe film making an abnormal form of punishment: a form of endearment.

Films are energetic therapy.

Tolich Toggle is a totally different scenario in its technical aspects to modern film and television.

Reconciliation with old-fashioned ways of making films is our grand plan of purpose.

Modern directors of films have been thrust into the bourgeois stratum, which is exceptionally bad for the film industry. 

We wish to upscale the film and television industry, which is threatened by the peril of lack of charisma. Charisma is redundant in a colossus way. And film directors are oblivious to this.

On regular TV there is not a trace of wackiness.

The modern film and television industry is a crowded environment difficult to reconcile yourself with:

Paramount pictures, Universal, 20th Century Fox, Disney, Warner Bros and the likes are all in competition with one another.

Tolich Toggle claims to present primordial new territories which nobody else has discovered due to their modesty and conservative tendencies. 

With this driving force Tolich Toggle will have the power to expand, superseding the need to go through further hurdles.

Xealand, a renaming of New Zealand, is a utopia far from Hollywood’s reach.

Make Xealand a haven for unhinged creativity.

Yet there is an intimidating mismatch. Hollywood has far greater powers and as a small nation we will have to create a collective mutiny to compete.

The only thing Xealand has going for it is undiluted drama without any cognitive continuum.

Southern Xealand is a mountainous world of glorious beauty, a great place to accumulate a film culture.

Southern Xealand has alpine roots. Compared to it, northern parts of the country are an abyss; there is no centralisation within different areas of the country.  

Our aim as a whole is to see all of Xealand unblemished by modern, global trends. It is an unmolested niché.

We are in the process of planning and developing films and television programs with puppet characters and themes in them.

Consequently, the way we conduct ourselves is mostly exclusive to the puppet realm. Our obligation is to have all most all of human influence habitually expelled.

Puppets are hung-up gentlemen going stupid if there's nobody around. 

Puppets are ghastly dressed which is not appropriate, so carry through with it.

Not everybody is made exactly the same way; personal experience is not always accessible unless you are a scoundrel.

Make war against regular appearances of normal film and other cultural hindrances.

Silencing gangsters, warriors in Hollywood productions is easier than doing it in Xealand because here they are at the height of popularity.

Modern Hollywood films are decoratively charming, that is their particular failure.

We don’t recall recruitment of international humanitarian law, we are novelettish.

The enterprise itself has zany foundations. Nothing is carried out with the deplorable glitz and glamour of the regular film industry. The legacy of masculine pretence is avoided.

The meaning of the term "Positiv Tolls Tolich Toggle Dominika" is broken down and outlaid below.

Positiv Tolls

Positiv Tolls refers to processes where an individual attempts in principle to dodge, evade negative, dull, unappealing traditions — some of which take a negative toll on the body.

These processes being developed have a resonance and structure which has the ability to neutralize and absorb toxic, sorrowful energies. These energies can have a destabilizing effect on the individual.

"Positiv" signifies a positive accentuation to inhibit brooding insecurities of one’s personality, character and actions.

Do whatever it takes to reduce sources of general negativity formulated and enforced by authorities.

Stay appropriately positive beyond all conditions.

Support positive opportunities at all times possible immediately.

Any impingement of this positive vitality is not acceptable.

This positivity allows you to offset the frustrations of our day and age. You can avoid being flung into a state of pessimism.

Instead you will be flung into a state of formidable comfort.

Rather than wasting everything on a negative expression of things that can do you harm, you should throw your effort into practical purposes.

Celebrate your ability to overcome overwhelming negativity and stowaway in fantasy instead.

Keeping up with the positivity is the essential difficulty. Sometimes positivity just isn't possible to share amongst each other, which is a terrifying prospect because you have to retreat back to where you come from at the mercy of the elements. 

Tolich

Tolich is a mispronunciation of the term “To latch”. Signifying a support device, a hoist, a winch, a  puppet harness; attachment to a fringe, peripheral restraining mechanism which controls every observable aspect of behaviour and character. Take the damn things off if you want to make love to each other and not be as straight as a ramrod. There is no guarantee of stable cables, just a mimicking mammalian muscle motion made.

Signifying supposedly such a case as when an individual conjectures that they may develop the propensity of being a puppet: a fabricated figure controlled by a swift kinetic device.

The puppet is not hoisted, hauled and erected in a hurry, because they are desperate when there is nothing to do by chance, or on the other hand, by moral resources.

Developing a doll-like consistency, admirably succinct in terms of being inanimate, not life-like, you no longer have to whinge about certain things such as a sullen portrayal of reality.

Rather than being an emotive character or a person, the individual instead submits to agile engineering feats amidst loop and cable mechanisms.

The cables allow you to apply and maintain fluency and cohesion to the puppet.

The puppet is completely balanced and controlled with much brilliance and enterprising play and additional upheaval.

Once the strings are attached, you won't be able to jump up and down soon enough, killing some time head-banging, jolting the head forwards and backwards.

Rotation from underneath is also required to stay vertical. Having somebody’s hand up your rear-end makes for an exciting future. Hyperspace is a scary place, it is handy underneath you. It is totally wonderful for you. Target your hands where they should not be.

Take the challenge in the tight region of the buttocks, but never mind, it will work out alright.

Toggle

Toggle refers to the clamping device used, a toggle: a device attached to weightless suspension wires which allows the puppet or actor to be manipulated just like a human muscular system. 

The toggle device unleashes puppets into a frenzied abyss, not bound by human logic.

Diverse in the deepest sense: different species of joy, different eras of imagination, all toggling at once.

Go berserk on your hoisted winch!

Dominika

Dominika : To seize control of, to dominate; to possess universal domination; to control every possible spectrum of human life unconditionally, in all respects.

Tolich Toggle…

Tolich Toggle is a platform in which it is easy to consider as a scenario where everyone, everything in the galaxy has an appropriate place of belonging:

Stars belong within a particular sublime constellation….

Vertebrae have a particular place in the vertebral column….

And our brothers the star-fish have a special place in the aquatic world.

And where the opinions and attitudes of a generation succumb to the domineering nature of occultism.

Harnesses latched, toggles clamped for universal domination.